
Música antigua Música medieval
Ad Loca Sancta
Ad Loca Sancta es un homenaje a Egeria, a la aventurera de curiosidad sin fin, que fue una de las...
Gossips and sensationalism, social conventions and rumors, promises and betrayal… The Iberian fifteenth and sixteenth centuries were full of uncertainties. Evil and good found their battlefield in the human soul. The cosmic fight between God and the Devil was mirrored in the lives of individuals. And the victory of one or another went far beyond life, into the unknown eternity after
death. This antagony beweent desire and purity was also the premise in which social organization was based. When passions went too far, individuals had to struggle with the prescriptions of religious thought and popular knowledge that configured their reality. It was both a fight against the others and one itself.
This programme shows us how the people from the past expressed these experiences
through music. We will meet the hideaways, social manners and cracks of a time in which the stiff social structures transformed low passions and religious vocation into art.
Teresica hermana
Anónimo (Mateo Flecha?)
Cancionero de Uppsala
Falalalán Falalalera
Anónimo
Cancionero de Uppsala
Soleta soy yo
Bartomeu Cárceres (fl. 1546)
Cancionero de Gandía
Corten espadas afiladas
Anónimo
Cancionero de Medinaceli
El Toro
Mateo Flecha “El Viejo” (1481 – 1553);
Cancionero de Medinaceli
No pueden dormir mis ojos
Pedro de Escobar (1465 –1535);
Cancionero Musical de Palacio
Una montaña pasando
Garcimuñós;
Cancionero Musical de Palacio
De ser mal casada
Diego Fernández (c. 1520 – c. 1581);
Cancionero Musical de Palacio
La Justa
Mateo Flecha “El Viejo” (1481 – 1553);
Las Ensaladas de Flecha…
Pase el agoa
Anónimo;
Cancionero Musical de Palacio
Dindirindin
Anónimo;
Cancionero Musical de Palacio
La Tricotea
Anónimo;
Cancionero Musical de Palacio
La Bomba
Mateo Flecha “El Viejo” (1481 – 1553);
Las Ensaladas de Flecha…
Duration: 60’
Performers: 4 singers